A Corpus of Rembrandt Paintings: II: 1631–1634 by J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, D. PDF

By J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, D. Cook-Radmore, L. Peese Binkhorst-Hoffscholte

ISBN-10: 9400944101

ISBN-13: 9789400944107

ISBN-10: 9401084629

ISBN-13: 9789401084628

Since the second one 1/2 the final century artwork historians, understanding that similar to Rembrandt’s paintings had turn into blurred with time, have tried to redefine the artist’s importance either as a resource of concept to different artists and as a superb artist in his personal correct. with a view to keep it up the paintings began through prior generations, a bunch of prime Dutch artwork historians from the college and museum global joined forces within the past due Nineteen Sixties with a purpose to learn afresh the work frequently ascribed to the artist. The researchers got here jointly within the Rembrandt learn venture which used to be confirmed to supply the artwork global with a brand new common reference paintings which might serve the neighborhood of artwork historians for the close by and lengthy destiny.

They tested the originals of all works attributed to Rembrandt taking complete good thing about today’s refined innovations together with radiography, neutron activation autoradiography, dendrochronology and paint pattern research ― thereby gaining necessary perception into the genesis and situation of the work.

The results of this meticulous learn is laid down chronologically within the following Volumes:

A Corpus of Rembrandt work, quantity I, which bargains with works from Rembrandt’s early years in Leiden(1629-1631), released in 1982.

THIS quantity: A Corpus of Rembrandt work, quantity II, protecting his first years in Amsterdam (1631-1634), released in 1986.

A Corpus of Rembrandt work, quantity III, is going into his later years of acceptance (1635-1642), released in 1990.

Each quantity involves a couple of Introductory Chapters in addition to the entire Catalogue of all work from the given period of time attributed to Rembrandt. during this catalogue every one portray is mentioned and tested in an in depth means, comprising a descriptive, an interpretative and a documentary part. For the authenticity overview of the work 3 diverse different types are used to divide the works in:

A. work by way of Rembrandt,
B. work of which Rembrandt’s authorship can't be absolutely both approved or rejected, and
C. work of which Rembrandt’s authorship can't be authorised.

This quantity (Volume II) comprises 900 pages, beginning of with 5 introductory chapters and discussing one zero one work. In transparent and available explanatory textual content all diversified work are mentioned, larded with immaculate photographs of every portray. info are proven the place attainable, in addition to the result of modern-day technical imaging.

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5- 19) 14. 5- 14) London Diana with Actaeon and Callisto, 8 9 10 11 12 13 15 14 I I I I - 18 19 20 -~ or--- - 0()-- -0- - . 5- 16) Ascona, coll. Baroness Bentinck-Thyssen Vienna Br.

Van Schendel, op. cit. (note I I), pp. 40- 41 states that the width of canvas used for the Claudius Civilis must have measured just over 200 em, the equivalent of 3 ells. 16 THE CANVAS SUPPORT Figs. 3- 4. Detail (I : I) X-ray of Still-life with dead peacocks (Amsterdam, Rijksmuseum ) demonstrating the better legibility of the weave in the positive print (fig. 4) Radiographs as a means of studying the canvas As a rule the weave of the canvas is readily observable in radiographs, as are any cusping and seams present.

I mm apart. This distortion is however too small to affect the measurements significantly. 23 According to J. Plesters and L. Lazzarini, op. cit. (note 7), p. 154, 'the distinction between flax and hemp fibres, especially when they are aged and somewhat degraded, is apparently not easy to make' (see also ibidem, note 12). It seems that sailcloth was made of hemp fibres; cf. S. Lootsma, Historische studiiin over de Zaanstreek, Koog aan de Zaan 1950, p. 108, where a hemp-mill ('hennip clopper moolen') is mentioned in connexion with the sail-cloth weavers' trade.

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A Corpus of Rembrandt Paintings: II: 1631–1634 by J. Bruyn, B. Haak, S.H. Levie, P.J.J. van Thiel, D. Cook-Radmore, L. Peese Binkhorst-Hoffscholte


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