By Eduardo Rapoport
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Extra info for Aerografia
Recalling a visit the artist made to Noland in 1967, Gilliam provides us with this telling statement: It was curious when I was there how much [Noland] was playing with a sculpture that he had made with [Anthony] Caro, and how 23 AFTER MODERNIST PAINTING much he talked about his friend David Smith who had died, and how much he sort of suggested that there was no difference between painting and sculpture at all … the interesting thing is that, since that point … I haven’t forgotten it. 50 Firstly, the paintings played fast and loose with modernism’s articulation – both verbal and physical – of painting.
Equally, in the area representing the processes of dispersal and coherence, whilst all of the newspapers had been placed neatly so that one edge of the newspaper sheet directly abutted the neighbouring one, covering the floor of the gallery space with a grid-like area of newsprint, variously shaped areas of blue paint had been intermittently sprayed onto certain sections of it. 13 In its precision and economy the piece, according to Richard Field, vexated the viewer to consider the following: ‘Can the terms of painting, with all its visual illusion and literary allusion, be reduced to four arrangements of two set constants (area of paper and area of paint)?
24 Seemingly, then, the singularly destructive act from which this series of paintings was born was revelatory. In terms of artistic precedent, whilst on one level the Tirs literally reimagined Jasper Johns’s own target paintings, the work’s destructive bent appeared perhaps closer in sensibility to Robert Rauschenberg’s Erased de Kooning Drawing (1953), a piece that the artist had ‘authored’ almost ten years prior to Saint Phalle’s Tirs. Understood as representing the oedipal-like struggle between, on the one hand, the hubristic fathers of Abstract Expressionism and, on the other, the recalcitrant artists who sought to challenge their forebears’ ideological and artistic imperatives, the facts of this particular incident have been well rehearsed.
Aerografia by Eduardo Rapoport