New PDF release: Amedeo Modigliani, l'art du portrait et du nu: Entre

By 50 minutes, Coline Franceschetto

ISBN-10: 2806258243

ISBN-13: 9782806258243

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de los angeles bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des graphics épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un artwork inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- los angeles vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son effect dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de los angeles série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son artwork l'est aussi : analysant les thèmes de prédilection et le sort si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un artwork specific en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE los angeles SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Additional resources for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

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Each one was carved out in bright sunlight with no gauzy atmospheric effects. Virtually no human figures are present, but their boats and houses and the thrusting masts of the Tall Masts, 1912. 3 cm. 38 moored ships suggest a busy population. A thick impasto of surf crashes against the rocks at Whitney Museum of American Art, Briar Neck and large rocks litter the back alley of the Italian Quarter merging their hard-edged New York, Josephine N. Hopper Bequest. angles with the slanting roof eaves of the town’s frame houses.

A fellow illustrator, Kent had a wide following of clients, and this led to a very accepting audience for his prints in the 1920s. Hopper might have seen his own future in Kent’s success as a printmaker. In the spring of 1918, the Chicago Society of Etchers called requesting a submission for an exhibit at the Art Institute of Chicago; Hopper sent along his recently published Les Poilus (p. 57). Catering to American viewers, he changed the name to Somewhere in France. Meanwhile, he and the MacDowell Club crowd hung a show of drawings, watercolours, and pastels.

Robert Henri had arrived triumphant from Pennsylvania. Europe in 1901 to settle in New York. qxp 30/11/2011 10:20 AM Page 37 he had a view of Blackwell’s Island in the East River and painted a picture postcard winter scene complete with ice floes. In 1909, George Bellows, one of Henri’s anointed stars, chose the island, highlighting the Queensborough Bridge with the busy Manhattan waterfront in the foreground. In 1910, Julius Golz – another Henri favourite – won critical praise at the Independents’ Exhibition for his stab at Blackwell’s Island.

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Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38) by 50 minutes, Coline Franceschetto


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