By Kai Bird, Martin J. Sherwin
J. ROBERT OPPENHEIMER was once the main well-known scientist of his iteration and one of many iconic figures of the 20th century. regularly said as “the father of the atomic bomb,” he led the hassle to trap for his nation the fireplace of the solar in a time of warfare, and in doing so, grew to become the very embodiment of contemporary guy confronting the implications of medical progress.
In stark distinction to his paintings that placed the United States within the leading edge of the nuclear fingers race, Oppenheimer fought to have foreign controls put on all atomic fabrics. He antagonistic the improvement of the hydrogen bomb, and he criticized the Air Force’s plans to struggle an infinitely risky nuclear warfare. within the now almost-forgotten hysteria of the early Nineteen Fifties, his principles have been anathema to robust advocates of an immense nuclear buildup, and, in reaction, Atomic strength fee chairman Lewis Strauss, Superbomb suggest Edward Teller, and FBI director J. Edgar Hoover labored behind the curtain to have a listening to board locate that Oppenheimer couldn't be relied on with America’s nuclear secrets.
In American Prometheus, Kai poultry and Martin J. Sherwin current Oppenheimer’s lifestyles and instances in revealing and unparalleled element. 1 / 4 century within the making, the ebook relies on hundreds of thousands of files and letters amassed from information in the US and out of the country, on enormous FBI records, and on as regards to 100 interviews with Oppenheimer’s pals, relations, and associates. Exhaustively researched and masterfully written, it truly is instantly historical past and biography, a galvanizing portrait and a cautionary story.
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Extra resources for American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer
He shrugged. "These millionaire moguls are all dying off. If just one of 'em would donate the money . . even if he specified that the museum had to be named after him! The Samllel Goldwyn Hollywood Museum, that'd be okay. But people are funny about money. " It appears that the Hollywood Museum is an idea whose time came . . and passed. So while tourists annually shell out millions of dollars for the heavily hyped tour of Universal Studios (featuring Raymond Burr's empty parking space, Dyan Cannon's empty dressing room, the Marcus Welby set and some flashy special effects), the genuine articles moulder in three immense cell blocks at the long-abandoned, rapidly deteriorating, oppressively dismal Lincoln Heights jail.
No, that wouldn't be possible. She's having a lot of dental work done, and she's very busy. . " I asked a New York friend to check out the availability of Robert Sherwood-Sam Goldwyn correspondence with the law 29 The Search for Sam Goldwyn firm representing Sherwood's estate. The friend made innumerable phone calls, reached a dead end and suggested I hire a researcher. I cancelled my reservation. Two of the most comprehensive sources of motion picture history in the world are The American Film Institute at Greystone Mansion, in Beverly Hills, where taped interviews with leading film figures are available to researchers; and the Academy of Motion Picture Arts and Sciences, the Fort Knox of reference material on the movies.
The scenario, by William De Mille, was based on the original story, rather than the opera libretto-a decision motivated not by foresight but by copyright problems. The story is, after all, romantic and action-filled, and it played surprisingly well as a silent film. Cast, crew and management found "Gerry" no prima donna but a warm, friendly, tireless worker and all-around good sport; Goldfish cOllld not praise her enough. pbjected only when the crude Klieg lights inflamed her eyes. 34 THE GOLDFISH TOUCH She finished out her contract with Temptation, but returned to the studio the following year, 1916, to star in Joan the Woman, again with Wallace Reid, again with De Mille.
American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird, Martin J. Sherwin